Not a site map — the nav has those. This is the off-the-record half: what i'm into now, the inputs that shaped the work, the things i'm pushing against, the ones i'm bad at, the quiet weights and the antidotes. Read it like a friend's notebook, not a CV.
— From the sketchbook
see the work— Now
- Reading
- Weldon — The Caped Crusade. Batman as a mirror held up to nerd culture.
- Building
- the Sombra OS memory layer. Local works. Cloud doesn't — yet.
- Listening
- Tom Waits, Bone Machine · Mick Jenkins, The Patience · Iron Maiden, Senjutsu.
- Learning
- to weld. Badly, on purpose.
- Keeping
- a strength routine, six weeks in. Knees grateful.
- Annoyed by
- the word “vision” with no number attached to it.
* hand-edited, not a feed. if it's stale by more than a season i've probably ghosted the site.
Stuff i love
The shortlist of people, movements, objects and disciplines I keep reaching for — in conversation and in code. Not a taste-dump; only the ones that actually shifted the work.
— Aesthetic & design

Wanderer above the Sea of Fog, in the Kunsthalle Hamburg. I've stood in front of it twice. The second time was the real one.

First abstract painter, if you ask a Czech. Amorpha, Fugue in Two Colors is a manual for leaving realism without losing structure.
— Music

Iommi lost two fingertips in a factory press at seventeen and built a genre with what was left. Disability into discipline into industry.
Tom Waits — Hold On
Iron Maiden — Hallowed Be Thy Name
Black Sabbath — Black Sabbath
Zappa — Watermelon in Easter Hay— Film

RIP. Mulholland Drive, top three. The daily weather report was a fifteen-year piece of conceptual art most people filed under hobby.
— Skating

Twenty-three years on a board. Two broken bones, neither on a trick. I can't walk past a curb without reading the line.
— Code & tools

Rules plus randomness plus iteration — maps, music, mesh, narrative. The generator is always cheaper to keep than the asset.
— Mind & science

Currently mapping the cache architecture of the brain. We'll know more about ourselves in twenty years than in the last two hundred thousand.
- Science × art
The friction between rigour and intuition is where the work lives. Every painter I trust reads papers; every researcher I trust draws.
- Education
The highest-leverage civic investment we have, performed badly on purpose. Yes, that's a fight I'll pick.
- Research
Slow accumulation of usable truth — the opposite of news. Most decent ideas I've had came from someone else's footnote.
- Learning
The only durable skill. Everything else gets automated, deprecated, or out-aged.
— Discipline & practice

Twenty thousand hours, one form. Under 1% reach the level you'd recognise on film. Worth knowing before you start anything serious.
— People
- Zdislava Pokorná
Personal. Quietly corrects my taste when I drift. Anything good here is partly her doing.
- Jan Špaček
Personal. Shows up with the right question, not the obvious one. The one you phone when the prototype's on fire.
— Misc

The medium that won't lie about effort. You can see where the brush hesitated.

A self-contained system — water, fat, fibre, shell, fuel. Try and argue against it.
— Requiem
more work— What i'm fighting
- the LARP economy — engineers who tweet more than they ship. The thing the work was meant to be a defence against.
- the firehose of falsehood — volume as the message, truth priced like a luxury.
- the gerontocracy: the same hands on the same levers.
- bullshit jobs. Read Graeber, then audit the calendar.
- “vision” decks with no number in them.
- the LinkedIn AI parade — people pretending the box didn't write the post.
- surveillance capitalism: kompromat on everyone, by default.
- nostalgia industries — the Kafka tote bag, never a page read.
- the podcast gold rush — microphones in the river, panning for status.
- institutional capture: the quiet web of red tape and routing numbers.
- flat-pack relationships, where step three is always rebuilding the wrong thing.
- the slow erosion of attention. Mine first.
— Not great at
- ✕ sleeping before midnight
- ✕ finishing personal projects (present company excepted)
- ✕ saying no when I'm interested
- ✕ small talk past ninety seconds
- ✕ knees, after thirty
- ✕ coriander
* the more useful list. anybody without one is lying about something else.
— Off the wall
the whole wall— Weight & antidote
— What bums me out
- my grandmother forgetting my face, one Sunday at a time.
- the time debt — every fragment I didn't ship, compounding.
- the silence after a release that didn't land. Worse: the silence when no one noticed.
- my Czech rusting with no time to sharpen it.
- the inverse curve between meetings and work done.
- knowing the next prodigy is six and about to lap me.
- December.
— What keeps me going
- the studio before 7am, door locked.
- the build going green, the test suite finally quiet.
- my wife's text: “u eat lunch?”
- the dog at the door when I get home.
- coffee made the slow way.
- the next skater landing the line I bailed — proof it was possible.
- Sombra pulling a note from 2021 I'd forgotten writing.
- finishing one thing, even a small one.
- riffs that don't tire.
- the kid I was, asking nicely.
- a chord change I didn't see coming.
- my mother's quiet “že jo” — the Czech tag that ends an argument.
* not asks for sympathy — the friction the work pushes against, and the receipts that get re-read when the left column gets long.
Elsewhere
Blog · loose notes
loading…
Anchors
- My dog
- a small menace who tested every prototype with her teeth.
- My wife
- the keel — quiet, patient, corrects my pitch when I drift.
- My mother
- taught me to read drawings before I could read words.
- My skateboard
- an old indy-trucked deck. Taught me commitment before any boss did.
- My values
- honesty over politeness. shipping over polish. craft over speed. people over performance.




















































