Not a site map — the nav has those. This is the off-the-record half: what i'm into now, the inputs that shaped the work, the things i'm pushing against, the ones i'm bad at, the quiet weights and the antidotes. Read it like a friend's notebook, not a CV.

From the sketchbook

see the work

Now

Reading
Weldon — The Caped Crusade. Batman as a mirror held up to nerd culture.
Building
the Sombra OS memory layer. Local works. Cloud doesn't — yet.
Listening
Tom Waits, Bone Machine · Mick Jenkins, The Patience · Iron Maiden, Senjutsu.
Learning
to weld. Badly, on purpose.
Keeping
a strength routine, six weeks in. Knees grateful.
Annoyed by
the word “vision” with no number attached to it.

* hand-edited, not a feed. if it's stale by more than a season i've probably ghosted the site.

Stuff i love

The shortlist of people, movements, objects and disciplines I keep reaching for — in conversation and in code. Not a taste-dump; only the ones that actually shifted the work.

Aesthetic & design

Caspar David Friedrich
Caspar David Friedrich

Wanderer above the Sea of Fog, in the Kunsthalle Hamburg. I've stood in front of it twice. The second time was the real one.

František Kupka
František Kupka

First abstract painter, if you ask a Czech. Amorpha, Fugue in Two Colors is a manual for leaving realism without losing structure.

  • Gropius opened the school in 1919 to argue that craft and engineering are one discipline. Still the cleanest version of that argument. My git handle isn't a coincidence.

  • Koren's small book is the only design treatise I keep on the shelf. The dent in the bowl is the bowl.

  • Ten principles. The discipline is asking would Rams keep it before adding the second feature — and stopping when the answer is no.

  • Cité Industrielle, 1904 — a workers' city where every home gets a bathroom and a pool. He had no idea how to build it. He drew it anyway.

  • Less a religion than a method. Sit, watch the thinking, notice it isn't you. Twelve minutes a day, nothing measurable, everything changed.

Music

Black Sabbath
Black Sabbath

Iommi lost two fingertips in a factory press at seventeen and built a genre with what was left. Disability into discipline into industry.

  • Bone Machine lives next to the claw hammer. Same job. Start with Hold On.

  • O2, 2018 — worth the queue and a week of half-deaf left ear. Hallowed Be Thy Name is a short story.

  • Watermelon in Easter Hay — he knew it was his last solo, and you can hear it. The cleanest goodbye anyone played on a guitar.

  • The Water[s] saved me about a year of therapy in 2014. Still on the list, still about hydration.

* Tom Waits — Hold On. The reason to keep the radio on.
* Mick Jenkins — The Water[s]. Still on the shortlist.
* mc zenbauhaus — the other side of the desk.

Film

David Lynch
David Lynch

RIP. Mulholland Drive, top three. The daily weather report was a fifteen-year piece of conceptual art most people filed under hobby.

Skating

Skateboarding
Skateboarding

Twenty-three years on a board. Two broken bones, neither on a trick. I can't walk past a curb without reading the line.

  • Helmet on, switch everything, Old Friends Skateboards. Proof the lifestyle is a discipline you age into, not out of.

Code & tools

Procedural generation
Procedural generation

Rules plus randomness plus iteration — maps, music, mesh, narrative. The generator is always cheaper to keep than the asset.

  • .plan files from 1996, still the cleanest writing about programming I've read. He works the way I'd like to work for the rest of my life.

  • Linux and git, both written out of disgust at the alternatives. Best ratio of mailing-list words to shipped software anyone's managed.

  • First place I felt powerful as a kid. A physics sandbox where bad ideas were free. Half my cohort traces back to wiring a thruster to a chair.

  • Finding the edge in a thing nobody built for that edge. Most programmers I trust are locksmiths in spirit, if not in fact.

Mind & science

Computational neuroscience
Computational neuroscience

Currently mapping the cache architecture of the brain. We'll know more about ourselves in twenty years than in the last two hundred thousand.

  • Science × art

    The friction between rigour and intuition is where the work lives. Every painter I trust reads papers; every researcher I trust draws.

  • Education

    The highest-leverage civic investment we have, performed badly on purpose. Yes, that's a fight I'll pick.

  • Research

    Slow accumulation of usable truth — the opposite of news. Most decent ideas I've had came from someone else's footnote.

  • Learning

    The only durable skill. Everything else gets automated, deprecated, or out-aged.

Discipline & practice

Shaolin method
Shaolin method

Twenty thousand hours, one form. Under 1% reach the level you'd recognise on film. Worth knowing before you start anything serious.

  • Wandering monk, eighteenth century. Wrote on rice paper, played ball with the village kids, refused to teach formally. Patron saint of doing it well and ignoring the credential.

  • The cleanest closed system we ever built — perfect information, no luck, just position. About 1850 on lichess, which means I lose 60% of the games I want. That's the point.

  • Career is the biggest lever you have, with the math to prove it. Read once a year, adjust.

People

  • Stand-up plus a maths degree, 1,001 consecutive nights. A serious craftsman dressed as a clown.

  • Independent journalist who keeps pulling the threads everyone else is paid to leave alone.

  • Zdislava Pokorná

    Personal. Quietly corrects my taste when I drift. Anything good here is partly her doing.

  • Jan Špaček

    Personal. Shows up with the right question, not the obvious one. The one you phone when the prototype's on fire.

Misc

Paint
Paint

The medium that won't lie about effort. You can see where the brush hesitated.

Coconuts
Coconuts

A self-contained system — water, fat, fibre, shell, fuel. Try and argue against it.

Requiem

more work
* Pietà — a moving piece of mine. Sound optional; the loop does the talking.

What i'm fighting

* the things I want to leave a dent in. nothing personal — except all of it.
  1. the LARP economy — engineers who tweet more than they ship. The thing the work was meant to be a defence against.
  2. the firehose of falsehood — volume as the message, truth priced like a luxury.
  3. the gerontocracy: the same hands on the same levers.
  4. bullshit jobs. Read Graeber, then audit the calendar.
  5. “vision” decks with no number in them.
  6. the LinkedIn AI parade — people pretending the box didn't write the post.
  7. surveillance capitalism: kompromat on everyone, by default.
  8. nostalgia industries — the Kafka tote bag, never a page read.
  9. the podcast gold rush — microphones in the river, panning for status.
  10. institutional capture: the quiet web of red tape and routing numbers.
  11. flat-pack relationships, where step three is always rebuilding the wrong thing.
  12. the slow erosion of attention. Mine first.

Not great at

  • ✕  sleeping before midnight
  • ✕  finishing personal projects (present company excepted)
  • ✕  saying no when I'm interested
  • ✕  small talk past ninety seconds
  • ✕  knees, after thirty
  • ✕  coriander

* the more useful list. anybody without one is lying about something else.

Off the wall

the whole wall

Weight & antidote

What bums me out

  • my grandmother forgetting my face, one Sunday at a time.
  • the time debt — every fragment I didn't ship, compounding.
  • the silence after a release that didn't land. Worse: the silence when no one noticed.
  • my Czech rusting with no time to sharpen it.
  • the inverse curve between meetings and work done.
  • knowing the next prodigy is six and about to lap me.
  • December.

What keeps me going

  • the studio before 7am, door locked.
  • the build going green, the test suite finally quiet.
  • my wife's text: “u eat lunch?”
  • the dog at the door when I get home.
  • coffee made the slow way.
  • the next skater landing the line I bailed — proof it was possible.
  • Sombra pulling a note from 2021 I'd forgotten writing.
  • finishing one thing, even a small one.
  • riffs that don't tire.
  • the kid I was, asking nicely.
  • a chord change I didn't see coming.
  • my mother's quiet “že jo” — the Czech tag that ends an argument.

* not asks for sympathy — the friction the work pushes against, and the receipts that get re-read when the left column gets long.

Elsewhere

Blog · loose notes

loading…

Anchors

My dog
a small menace who tested every prototype with her teeth.
My wife
the keel — quiet, patient, corrects my pitch when I drift.
My mother
taught me to read drawings before I could read words.
My skateboard
an old indy-trucked deck. Taught me commitment before any boss did.
My values
honesty over politeness. shipping over polish. craft over speed. people over performance.
zenbauhaus